- 14th EDITION 2022 / 2023
- 13th EDITION 2021 / 2022
- 12th EDITION 2020 / 2021
- 11th EDITION 2019 / 2020
- 10th EDITION 2018 / 2019
- 9th EDITION 2017 / 2018
- 8th EDITION 2016 / 2017
- 7th EDITION 2015 / 2016
- 6th EDITION 2014 / 2015
- 5th EDITION 2013 / 2014
- 4th EDITION 2012 / 2013
- 3rd EDITION 2011 / 2012
- 2nd EDITION 2010 / 2011
- 1st EDITION 2009 / 2010
Roger Serret i Ricou IN RESiDENCE at the School Teresa Pàmies
first definition of intentions (half page)
I have made a list of how
themes of how I experience architecture, art and graffiti to be able to touch on them without citing architecture, art and graffiti and in the end I have betrayed myself citing first of all architecture, art and graffiti when in reality I only live from
Of collective re-appropriation some day not just playful
Of blurring the limit between balanced and uncontrolled intensity
Saturade liquid energy more Monster than Gatorade
Water to gas
Erratic intuition as a starting point
On top of that we have information
Abstraction as self-defence in over information
Especially the redistribution of spatial wealth
At home on the street
On the streets at home
stop authorship
“no cara no casa”
(no face no case)
Irrational premeditated praxis
inappropriate reappropriation and as a starting point
Hedonistic reparation
Public money without passing through the academy
It does not have its pseudonym
Conflict and playful use of the pseudo-public space
boring ourselves with the lonely self-taught despot
Waste paint on your façade
From coexistence I only learn from it
Unstable Emotional Structure
also enjoy cry alone
Redistribution of sex blurred with affection
Work less, clean more is to read often
Stealing dirty art is very white
How to leave now to share a vessel
Neither analogical nor digital, anal saying
Like a boring Demo of Foul Play of clean art
Connect premises to broaden portals
Share Error
How to suffer little to live top
guano is fresh bird poop the most fertile for asphalt and for skin
Trying to learn to accomplish how I want to be and be there
I could cook for whomever steals food
Plan for whomever risks squatting
Keep an eye out so you can paint
or masturbate on the work
alien or alienated
while I charge in agreement